This uses two threshold controls - one based on sound level and the other based on a probability graph - to gate out the gasping noises that singers make before each line of a vocal. The first of the new plug-ins is the innovative DeBreath tool. The sound is distinctly analogue (with none of the brittle top-end harshness that all-too-often characterises everyday digital sound processing), and it's hard to resist using it on every single channel of your mix. It may look like 'just' a combined EQ/ compressor - seemingly no different to those that are built into host applications such as Cubase, Logic and Sonar - but although its user interface might not be pretty or modern, the difference in sound quality when compared to built-in host equalisers is remarkable. ![]() The Renaissance Channel strip deserves a special mention. ![]() ![]() ![]() It combines an intuitive user interface with well-established modulation technologies to perform thickening tasks, and can be applied not just to backing and lead vocals, but also to the likes of guitars and keyboards. The Doubler tool is hardly revolutionary, but in some ways that's its biggest strength.
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